I was the oldest person in the training hall, and most days I was the slowest learner in it too.
This was Wudang, China, a month of kung fu training, six hours a day. Around me were students who could watch Shifu demonstrate a sequence a few times and have it roughed in by the end of the session. I watched the same demonstration, tried the same sequence, and got it wrong in ways I didn’t even have names for. I felt like the old guy in the back of the class, learning every little move at half everyone else’s speed, and for the first week that bothered me more than the sore legs did.
Then something reframed, and the reframe is the thing I actually brought home.
Somewhere in the second week I stopped asking why I was slow and started noticing what the question was doing to me.
Maybe it was being 47. Maybe it was that my body had never trained like this, so nothing about the movements could rest on old wiring. Maybe I’m simply less coordinated than the twenty-somethings, and every piece took more focus to land. I genuinely don’t know which of those it was, and I stopped needing to know, because the answer changed nothing about the work. You have to learn at your own pace. That sentence sounds like a poster until you’re living inside it, and then it becomes the most practical instruction in the building.
The pace you learn at is a fact about you, the way your height is. Arguing with it just adds suffering to the curriculum.
The trouble with a room full of faster learners is what watching them does to your attention.
Every glance sideways converts effort into evidence. They got the sequence, you didn’t, and some quiet accountant in your head starts building a case that you don’t belong here. I know that accountant well, and I know where his ledger leads, because comparison made me want to leave, and it never once made me learn faster.
What made me learn faster was narrowing the frame to a single student: me, yesterday. Could I sit lower in the stance than I did two days ago. Did the footwork come before the hands this time. Small wins against my own tape, invisible to everyone else in the room, and completely sufficient.
By your forties, if you’ve built any kind of expertise, you can arrange a life where you never feel incompetent.
That’s the quiet trap of being established. You get so good at the things you already do that you stop standing anywhere near the edge of your ability, and the part of you that knows how to grow goes quiet from disuse. Being a raw beginner again, publicly, at something my body couldn’t fake, was uncomfortable in a way I hadn’t felt in years, and it was the exact discomfort that had gone missing. Every day I failed at something before breakfast. Every day I tried harder and put a hundred percent in anyway.
The month rebuilt a muscle that has nothing to do with kung fu: the willingness to be bad at something long enough to get better.
And I left with more than a memory. I filmed everything so I wouldn’t forget the sequences, and I learned enough of them to keep practicing every day at home. A beginner who stays a tourist leaves with photos. A beginner who commits leaves with a practice.
The honest accounting of a month: it barely scratches the surface of what kung fu is.
I wouldn’t have done less, because the first weeks are mostly your body learning how to be taught. And standing at the base of it, I could finally see how long it would actually take to get really, really good, which landed less like discouragement and more like an invitation. The mountain is tall. You can start climbing it at any age and at any speed, as long as the pace is yours.
Is it too late to learn a martial art in your late forties?
No, but the terms change. At 47 I was the oldest student at a Wudang kung fu school and the slowest learner in most sessions, because a body without old training wiring absorbs new movement slowly and needs more focus per piece. The practice is fully available at any age. The only requirement is accepting your own pace instead of the room’s.
How do you handle being the slowest learner in the room?
Narrow the comparison to yourself, yesterday. Watching faster students converts effort into discouragement and never speeds anything up. Measuring against your own previous attempt, a lower stance or cleaner footwork, keeps your attention on the work. The pace you learn at is personal, and the room’s pace is irrelevant to your progress.
What does being a beginner teach you in midlife?
By midlife, most established people have arranged their lives to avoid feeling incompetent, which quietly removes growth along with the discomfort. Deliberately becoming a raw beginner restores the willingness to be bad at something long enough to get better, and that willingness transfers into everything else you make or build.
Is a month of training enough to learn anything real?
A month barely scratches the surface, and it’s still the right minimum: enough time for the body to learn how to be taught and to take home sequences worth practicing daily. Less time produces a tourist’s exposure. A month produces the start of a practice you can keep.
Three things to take with you:
I send a weekly note on building a creative life where who you are and how you live are the same thing, and you can join it below.
I was the oldest person in the training hall, and most days I was the slowest learner in it too.
This was Wudang, China, a month of kung fu training, six hours a day. Around me were students who could watch Shifu demonstrate a sequence a few times and have it roughed in by the end of the session. I watched the same demonstration, tried the same sequence, and got it wrong in ways I didn’t even have names for. I felt like the old guy in the back of the class, learning every little move at half everyone else’s speed, and for the first week that bothered me more than the sore legs did.
Then something reframed, and the reframe is the thing I actually brought home.
Somewhere in the second week I stopped asking why I was slow and started noticing what the question was doing to me.
Maybe it was being 47. Maybe it was that my body had never trained like this, so nothing about the movements could rest on old wiring. Maybe I’m simply less coordinated than the twenty-somethings, and every piece took more focus to land. I genuinely don’t know which of those it was, and I stopped needing to know, because the answer changed nothing about the work. You have to learn at your own pace. That sentence sounds like a poster until you’re living inside it, and then it becomes the most practical instruction in the building.
The pace you learn at is a fact about you, the way your height is. Arguing with it just adds suffering to the curriculum.
The trouble with a room full of faster learners is what watching them does to your attention.
Every glance sideways converts effort into evidence. They got the sequence, you didn’t, and some quiet accountant in your head starts building a case that you don’t belong here. I know that accountant well, and I know where his ledger leads, because comparison made me want to leave, and it never once made me learn faster.
What made me learn faster was narrowing the frame to a single student: me, yesterday. Could I sit lower in the stance than I did two days ago. Did the footwork come before the hands this time. Small wins against my own tape, invisible to everyone else in the room, and completely sufficient.
By your forties, if you’ve built any kind of expertise, you can arrange a life where you never feel incompetent.
That’s the quiet trap of being established. You get so good at the things you already do that you stop standing anywhere near the edge of your ability, and the part of you that knows how to grow goes quiet from disuse. Being a raw beginner again, publicly, at something my body couldn’t fake, was uncomfortable in a way I hadn’t felt in years, and it was the exact discomfort that had gone missing. Every day I failed at something before breakfast. Every day I tried harder and put a hundred percent in anyway.
The month rebuilt a muscle that has nothing to do with kung fu: the willingness to be bad at something long enough to get better.
And I left with more than a memory. I filmed everything so I wouldn’t forget the sequences, and I learned enough of them to keep practicing every day at home. A beginner who stays a tourist leaves with photos. A beginner who commits leaves with a practice.
The honest accounting of a month: it barely scratches the surface of what kung fu is.
I wouldn’t have done less, because the first weeks are mostly your body learning how to be taught. And standing at the base of it, I could finally see how long it would actually take to get really, really good, which landed less like discouragement and more like an invitation. The mountain is tall. You can start climbing it at any age and at any speed, as long as the pace is yours.
Is it too late to learn a martial art in your late forties?
No, but the terms change. At 47 I was the oldest student at a Wudang kung fu school and the slowest learner in most sessions, because a body without old training wiring absorbs new movement slowly and needs more focus per piece. The practice is fully available at any age. The only requirement is accepting your own pace instead of the room’s.
How do you handle being the slowest learner in the room?
Narrow the comparison to yourself, yesterday. Watching faster students converts effort into discouragement and never speeds anything up. Measuring against your own previous attempt, a lower stance or cleaner footwork, keeps your attention on the work. The pace you learn at is personal, and the room’s pace is irrelevant to your progress.
What does being a beginner teach you in midlife?
By midlife, most established people have arranged their lives to avoid feeling incompetent, which quietly removes growth along with the discomfort. Deliberately becoming a raw beginner restores the willingness to be bad at something long enough to get better, and that willingness transfers into everything else you make or build.
Is a month of training enough to learn anything real?
A month barely scratches the surface, and it’s still the right minimum: enough time for the body to learn how to be taught and to take home sequences worth practicing daily. Less time produces a tourist’s exposure. A month produces the start of a practice you can keep.
Three things to take with you:
I send a weekly note on building a creative life where who you are and how you live are the same thing, and you can join it below.







I was the oldest person in the training hall, and most days I was the slowest learner in it too.
This was Wudang, China, a month of kung fu training, six hours a day. Around me were students who could watch Shifu demonstrate a sequence a few times and have it roughed in by the end of the session. I watched the same demonstration, tried the same sequence, and got it wrong in ways I didn’t even have names for. I felt like the old guy in the back of the class, learning every little move at half everyone else’s speed, and for the first week that bothered me more than the sore legs did.
Then something reframed, and the reframe is the thing I actually brought home.
Somewhere in the second week I stopped asking why I was slow and started noticing what the question was doing to me.
Maybe it was being 47. Maybe it was that my body had never trained like this, so nothing about the movements could rest on old wiring. Maybe I’m simply less coordinated than the twenty-somethings, and every piece took more focus to land. I genuinely don’t know which of those it was, and I stopped needing to know, because the answer changed nothing about the work. You have to learn at your own pace. That sentence sounds like a poster until you’re living inside it, and then it becomes the most practical instruction in the building.
The pace you learn at is a fact about you, the way your height is. Arguing with it just adds suffering to the curriculum.
The trouble with a room full of faster learners is what watching them does to your attention.
Every glance sideways converts effort into evidence. They got the sequence, you didn’t, and some quiet accountant in your head starts building a case that you don’t belong here. I know that accountant well, and I know where his ledger leads, because comparison made me want to leave, and it never once made me learn faster.
What made me learn faster was narrowing the frame to a single student: me, yesterday. Could I sit lower in the stance than I did two days ago. Did the footwork come before the hands this time. Small wins against my own tape, invisible to everyone else in the room, and completely sufficient.
By your forties, if you’ve built any kind of expertise, you can arrange a life where you never feel incompetent.
That’s the quiet trap of being established. You get so good at the things you already do that you stop standing anywhere near the edge of your ability, and the part of you that knows how to grow goes quiet from disuse. Being a raw beginner again, publicly, at something my body couldn’t fake, was uncomfortable in a way I hadn’t felt in years, and it was the exact discomfort that had gone missing. Every day I failed at something before breakfast. Every day I tried harder and put a hundred percent in anyway.
The month rebuilt a muscle that has nothing to do with kung fu: the willingness to be bad at something long enough to get better.
And I left with more than a memory. I filmed everything so I wouldn’t forget the sequences, and I learned enough of them to keep practicing every day at home. A beginner who stays a tourist leaves with photos. A beginner who commits leaves with a practice.
The honest accounting of a month: it barely scratches the surface of what kung fu is.
I wouldn’t have done less, because the first weeks are mostly your body learning how to be taught. And standing at the base of it, I could finally see how long it would actually take to get really, really good, which landed less like discouragement and more like an invitation. The mountain is tall. You can start climbing it at any age and at any speed, as long as the pace is yours.
Is it too late to learn a martial art in your late forties?
No, but the terms change. At 47 I was the oldest student at a Wudang kung fu school and the slowest learner in most sessions, because a body without old training wiring absorbs new movement slowly and needs more focus per piece. The practice is fully available at any age. The only requirement is accepting your own pace instead of the room’s.
How do you handle being the slowest learner in the room?
Narrow the comparison to yourself, yesterday. Watching faster students converts effort into discouragement and never speeds anything up. Measuring against your own previous attempt, a lower stance or cleaner footwork, keeps your attention on the work. The pace you learn at is personal, and the room’s pace is irrelevant to your progress.
What does being a beginner teach you in midlife?
By midlife, most established people have arranged their lives to avoid feeling incompetent, which quietly removes growth along with the discomfort. Deliberately becoming a raw beginner restores the willingness to be bad at something long enough to get better, and that willingness transfers into everything else you make or build.
Is a month of training enough to learn anything real?
A month barely scratches the surface, and it’s still the right minimum: enough time for the body to learn how to be taught and to take home sequences worth practicing daily. Less time produces a tourist’s exposure. A month produces the start of a practice you can keep.
Three things to take with you:
I send a weekly note on building a creative life where who you are and how you live are the same thing, and you can join it below.

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I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.