APE posted an article on the future of photography. There’s been a bit of controversy over the article as Leslie Burns talks about in her post. The basic idea is passing your work, or making it available to be passed around to create “fans”. Creating a bigger fan base increases your market.
It got me thinking of how digital technology is moving us into to a viral content world. Think about how much we love to share things with our friends. Random pieces of content that we think is so great, we share it with everyone we know. Thus the concept of “Viral Content”. Advertising age reported that GE, the country’s third largest advertiser, is moving to shift half of it’s $3 billion budget into digital and one-to-one marketing within the next 3 years. That said, GE as well as many other brands will be spending a lot of money on creating viral content.
So, why don’t we as photographers use our own work as viral content. People pay us to create our own viral content (well, if it lines up with our creative vision), or we can go create it ourselves. If people are posting it on their walls, desktops, or passing it to friends, is that any different than me sending a promo poster to potential clients to hang on their wall? Is it different from sending a print to a potential client? They can still scan it if they really like it.
My point is, making our work available to be passed along in a personal use level that promotes the artist is a great idea. Maybe someone blogs it, sends it to their friends, or makes it their desktop. You’re creating fans. Eventually, it might make it into the right hands. If you have your images registered with the copyright office, that gives you even more power if someone chooses to use your image in a commercial venue and violate copyright. The web world is getting smaller and smaller so finding images that are used without your permission is becoming easier and easier. There are even image tracking companies that will track all images used on the web. Besides, if it’s passed around low resolution images, no one is going to use it in print anyways… or at least we hope.
APE posted an article on the future of photography. There’s been a bit of controversy over the article as Leslie Burns talks about in her post. The basic idea is passing your work, or making it available to be passed around to create “fans”. Creating a bigger fan base increases your market.
It got me thinking of how digital technology is moving us into to a viral content world. Think about how much we love to share things with our friends. Random pieces of content that we think is so great, we share it with everyone we know. Thus the concept of “Viral Content”. Advertising age reported that GE, the country’s third largest advertiser, is moving to shift half of it’s $3 billion budget into digital and one-to-one marketing within the next 3 years. That said, GE as well as many other brands will be spending a lot of money on creating viral content.
So, why don’t we as photographers use our own work as viral content. People pay us to create our own viral content (well, if it lines up with our creative vision), or we can go create it ourselves. If people are posting it on their walls, desktops, or passing it to friends, is that any different than me sending a promo poster to potential clients to hang on their wall? Is it different from sending a print to a potential client? They can still scan it if they really like it.
My point is, making our work available to be passed along in a personal use level that promotes the artist is a great idea. Maybe someone blogs it, sends it to their friends, or makes it their desktop. You’re creating fans. Eventually, it might make it into the right hands. If you have your images registered with the copyright office, that gives you even more power if someone chooses to use your image in a commercial venue and violate copyright. The web world is getting smaller and smaller so finding images that are used without your permission is becoming easier and easier. There are even image tracking companies that will track all images used on the web. Besides, if it’s passed around low resolution images, no one is going to use it in print anyways… or at least we hope.







APE posted an article on the future of photography. There’s been a bit of controversy over the article as Leslie Burns talks about in her post. The basic idea is passing your work, or making it available to be passed around to create “fans”. Creating a bigger fan base increases your market.
It got me thinking of how digital technology is moving us into to a viral content world. Think about how much we love to share things with our friends. Random pieces of content that we think is so great, we share it with everyone we know. Thus the concept of “Viral Content”. Advertising age reported that GE, the country’s third largest advertiser, is moving to shift half of it’s $3 billion budget into digital and one-to-one marketing within the next 3 years. That said, GE as well as many other brands will be spending a lot of money on creating viral content.
So, why don’t we as photographers use our own work as viral content. People pay us to create our own viral content (well, if it lines up with our creative vision), or we can go create it ourselves. If people are posting it on their walls, desktops, or passing it to friends, is that any different than me sending a promo poster to potential clients to hang on their wall? Is it different from sending a print to a potential client? They can still scan it if they really like it.
My point is, making our work available to be passed along in a personal use level that promotes the artist is a great idea. Maybe someone blogs it, sends it to their friends, or makes it their desktop. You’re creating fans. Eventually, it might make it into the right hands. If you have your images registered with the copyright office, that gives you even more power if someone chooses to use your image in a commercial venue and violate copyright. The web world is getting smaller and smaller so finding images that are used without your permission is becoming easier and easier. There are even image tracking companies that will track all images used on the web. Besides, if it’s passed around low resolution images, no one is going to use it in print anyways… or at least we hope.

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Emanate is a creative-direction-led photography experience for entrepreneurs, speakers, and thought leaders in a moment of expansion. This isn’t about better photos. It’s about aligning how you’re seen with who you’ve become. For seasons of rebrand, visibility, and next-level leadership.
Magnetic Authority is a self-guided container for people who feel visible, but not fully anchored.
If your message keeps shifting, your brand feels inconsistent, or your presence doesn’t match your capability yet. This is where you build the foundation before you scale.
For founders, creatives, and leaders who want a trusted long-term partner. This isn’t coaching or traditional consulting.
It’s an ongoing creative partnership focused on bringing your personal brand identity to life.
Your brand. Your website. Your visuals.
All shaped as a direct extension of who you are. The work also includes a bespoke process of identifying and aligning the right experts when needed, so nothing gets built out of sync with your core.
Quiet. Precise. Highly Selective.

Creative coherence is the state where who you are and how you’re seen are the same thing. Why it matters more than frequency, and how to build it.

Identity Alchemy runs in five phases: Deconstruct, Curate, Architect, Become, Express. A walkthrough of what happens inside each, and where people get stuck.

Identity Alchemy is a five-phase method for rebuilding who you are and how you’re seen so the two finally match. Here is the full process.

A Brand Brain is one authored source that holds your identity, voice, and frameworks so every AI tool writes like you. Here is what it is and why you need one.

Being great at what you do doesn’t automatically turn into income. Here is the expertise-to-income gap, why it exists, and how to start closing it.

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Your AI sounds generic because it reads the whole internet and returns the average. Here is how to make AI write in your actual voice instead.

For two decades I made other people’s brands coherent while my own waited. Here is the Brand Intelligence Engine I built to finally close that gap.

The Brand Intelligence Engine is an AI personal brand system that builds the complete infrastructure of a premium brand in three phases. Here’s exactly what happens inside, what it produces, and who it’s built for.

Your content strategy is not working because the problem isn’t content. It’s what’s underneath it. When your brand lacks identity and visual translation, posting more just amplifies incoherence. Here’s the trap and how to escape it.

This personal brand audit takes two minutes and reveals exactly where your brand is broken. Four questions, one for each layer of brand intelligence. Most people fail at least two. Here’s the diagnostic.

Your personal brand identity is not you. It’s a translation of you. When you confuse the two, you either freeze up or perform. Neither builds authority. Here’s the distinction that changes how you show up online.
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.