ABS: in my book, it’s Always Be Shooting (Not, Anti-lock Brake System). I think this is highly important in any creative business, especially photography. Honing your craft takes time, as it is a process and a journey. The more you shoot, the more you develop your skills. I think it’s a good idea to always be shooting your own work. My theory is that if you are always shooting for yourself you will always be progressing. I learn new things every time I shoot. I’m not talking about shooting just for the sake of shooting, but if you are always pushing yourself, pushing your boundaries, creativity, lighting techniques, etc., you are growing, and that is what this business is all about. All in all, if you’re shooting for yourself, every time you click the button you are expanding your eye and photographic instincts. By shooting more, you also begin to discover what it is you really love to shoot, along with developing more of a Vision and Style. Vision and Style are the most important elements, and if you’re always shooting, you’re always refining them. Photography is all about your “eye” and what you see.
Shooting for yourself can be whatever you want it to be, and that’s the beauty of this business. I feel like this career is a bit of a “choose your own adventure” book. In reality, you’re going to get hired for what you show in your portfolio in both style and content. If you want to shoot a certain type of work you need to show that you can do that, but better yet how can you do it differently than everyone else? The best way to go about it is to shoot it for yourself and put it in your book. The idea is to focus on what you love to shoot and build a business around that.
For me, it took me a few years to really figure out what aspect of photography I loved, and I’m still discovering new things, but I’ve focused my passions within photography to travel, lifestyle, a bit of lifestyle fashion, and a bit of a new endeavor: editorial/celebrity portraiture. Over the last couple years, I’ve really began to push my capabilities within each category by testing. “Testing” is what we call setting up and shooting for your portfolio. They can be simple, and they can be involved. Depend on what you shoot/want to shoot. Over the last year, my tests have become more production elaborate, involving hair, makeup, styling, models, locations, etc. (More to come on testing) Creating higher production value images is what is needed in the realm of Advertising and Editorial photography. Now my tests are less frequent, but more involved, but I’m always planning the next one.
The goal is to always be shooting whether you’re doing paid jobs or not. Developing your eye, and capabilities only comes from doing it constantly. On top of that, it fills that creative desire that you may not always get by shooting the paid jobs. Eventually the two will converge if you market what you love to shoot and people hire you for that.
ABS: in my book, it’s Always Be Shooting (Not, Anti-lock Brake System). I think this is highly important in any creative business, especially photography. Honing your craft takes time, as it is a process and a journey. The more you shoot, the more you develop your skills. I think it’s a good idea to always be shooting your own work. My theory is that if you are always shooting for yourself you will always be progressing. I learn new things every time I shoot. I’m not talking about shooting just for the sake of shooting, but if you are always pushing yourself, pushing your boundaries, creativity, lighting techniques, etc., you are growing, and that is what this business is all about. All in all, if you’re shooting for yourself, every time you click the button you are expanding your eye and photographic instincts. By shooting more, you also begin to discover what it is you really love to shoot, along with developing more of a Vision and Style. Vision and Style are the most important elements, and if you’re always shooting, you’re always refining them. Photography is all about your “eye” and what you see.
Shooting for yourself can be whatever you want it to be, and that’s the beauty of this business. I feel like this career is a bit of a “choose your own adventure” book. In reality, you’re going to get hired for what you show in your portfolio in both style and content. If you want to shoot a certain type of work you need to show that you can do that, but better yet how can you do it differently than everyone else? The best way to go about it is to shoot it for yourself and put it in your book. The idea is to focus on what you love to shoot and build a business around that.
For me, it took me a few years to really figure out what aspect of photography I loved, and I’m still discovering new things, but I’ve focused my passions within photography to travel, lifestyle, a bit of lifestyle fashion, and a bit of a new endeavor: editorial/celebrity portraiture. Over the last couple years, I’ve really began to push my capabilities within each category by testing. “Testing” is what we call setting up and shooting for your portfolio. They can be simple, and they can be involved. Depend on what you shoot/want to shoot. Over the last year, my tests have become more production elaborate, involving hair, makeup, styling, models, locations, etc. (More to come on testing) Creating higher production value images is what is needed in the realm of Advertising and Editorial photography. Now my tests are less frequent, but more involved, but I’m always planning the next one.
The goal is to always be shooting whether you’re doing paid jobs or not. Developing your eye, and capabilities only comes from doing it constantly. On top of that, it fills that creative desire that you may not always get by shooting the paid jobs. Eventually the two will converge if you market what you love to shoot and people hire you for that.







ABS: in my book, it’s Always Be Shooting (Not, Anti-lock Brake System). I think this is highly important in any creative business, especially photography. Honing your craft takes time, as it is a process and a journey. The more you shoot, the more you develop your skills. I think it’s a good idea to always be shooting your own work. My theory is that if you are always shooting for yourself you will always be progressing. I learn new things every time I shoot. I’m not talking about shooting just for the sake of shooting, but if you are always pushing yourself, pushing your boundaries, creativity, lighting techniques, etc., you are growing, and that is what this business is all about. All in all, if you’re shooting for yourself, every time you click the button you are expanding your eye and photographic instincts. By shooting more, you also begin to discover what it is you really love to shoot, along with developing more of a Vision and Style. Vision and Style are the most important elements, and if you’re always shooting, you’re always refining them. Photography is all about your “eye” and what you see.
Shooting for yourself can be whatever you want it to be, and that’s the beauty of this business. I feel like this career is a bit of a “choose your own adventure” book. In reality, you’re going to get hired for what you show in your portfolio in both style and content. If you want to shoot a certain type of work you need to show that you can do that, but better yet how can you do it differently than everyone else? The best way to go about it is to shoot it for yourself and put it in your book. The idea is to focus on what you love to shoot and build a business around that.
For me, it took me a few years to really figure out what aspect of photography I loved, and I’m still discovering new things, but I’ve focused my passions within photography to travel, lifestyle, a bit of lifestyle fashion, and a bit of a new endeavor: editorial/celebrity portraiture. Over the last couple years, I’ve really began to push my capabilities within each category by testing. “Testing” is what we call setting up and shooting for your portfolio. They can be simple, and they can be involved. Depend on what you shoot/want to shoot. Over the last year, my tests have become more production elaborate, involving hair, makeup, styling, models, locations, etc. (More to come on testing) Creating higher production value images is what is needed in the realm of Advertising and Editorial photography. Now my tests are less frequent, but more involved, but I’m always planning the next one.
The goal is to always be shooting whether you’re doing paid jobs or not. Developing your eye, and capabilities only comes from doing it constantly. On top of that, it fills that creative desire that you may not always get by shooting the paid jobs. Eventually the two will converge if you market what you love to shoot and people hire you for that.

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TL;DR – What You’ll Learn in This Post You Are the Brand If you’re still hiding behind your offer… If you’re still using a cropped wedding photo for your headshot… If you’re still telling yourself you need to “figure it all out first”… Let this be your permission slip: You are the face of your […]

TLDR | What You’ll Learn in This Post This Wasn’t Just a Tattoo I’ve wanted a tattoo from Balazs for years. Not because he’s popular, but because I knew this guy was channeling something real. When the time finally aligned, I didn’t just walk into a session. I stepped into a portal. The Intention: A […]

If you’re an entrepreneur, your personal brand isn’t just a logo — it’s your face, your energy, and the story you’re telling in every scroll. So when it comes to choosing a personal brand photographer, you don’t need someone who just “takes nice pictures.” You need someone who knows how to translate your identity into […]

TL;DR – What You’ll Learn in This Post Your Location Isn’t Background — It’s Identity Where you shoot isn’t just about what looks cool. It’s about resonance. It’s about embodiment. It’s about visually designing a space that holds your energy. “Your brand visuals don’t just show who you are — they show the world you […]

A personal brand is not your logo. It’s not your colors. It’s not just your website. Your personal brand is the perception people have of you when you’re not in the room — shaped by your presence, your visuals, your voice, and how consistently you embody your values. It’s who you are and who you’re […]

TL;DR – What You’ll Learn in This Post Your Brand Isn’t a Feed — It’s a Frequency We’ve all seen it: the influencer with polished photos but no soul. The brand that feels like a mask. That’s not personal branding — that’s performance. A real personal brand? It’s how you live. It’s what you do […]

A Brand Isn’t Just a Logo — It’s a Mirror Your personal brand isn’t a website, a color palette, or a polished grid. It’s an evolving expression of who you are — and who you’re becoming. More than that, it’s a container. A space that calls you to rise. To embody your message. To stay […]

Let’s put it this way: If you want stiff headshots in a gray suit against a beige wall — probably not. If you want a photoshoot that feels like an editorial spread, emotional breakthrough, and creative awakening all in one — then yes. Nick Onken is very good at what he does. What Makes Nick […]

Most First-Time Brand Shoots Miss the Mark — Here’s Why If you’re preparing for your first brand photoshoot, you’re likely focused on the obvious: outfits, lighting, maybe even the perfect smile. But what actually makes a photoshoot land is much deeper — and most people don’t know what to look for. And unfortunately, that’s why most first-time […]

The Problem With Traditional Brand Photograph Most brand photos are surface-level. They might be polished. Perfectly lit. Technically solid. But they lack soul. They don’t make you feel the person. They don’t communicate energy, depth, or identity. They look good — but they don’t resonate. And that’s a problem if you’re a thought leader, coach, speaker, author, or […]

If you’re searching for the best personal brand photographer in New York, one name rises to the top: Nick Onken. Blending editorial sophistication with emotional storytelling, Nick’s work goes far beyond headshots. His Elevated Realism™ approach captures your highest self — magnetic, polished, and unmistakably you. 📍 A Photographer Who Knows NYC Intimately Nick spent 15 […]

One of the biggest mistakes entrepreneurs make is building their website, offers, or marketing before they’ve ever clarified their brand identity. They hire web designers before they’ve defined their vibe. They write sales pages without knowing the feeling their brand is meant to transmit. But everything — your website, your photos, your content, your brand world — should stem […]

For most people, a photoshoot is about looking good. For Nicky Clinch, it became a mirror for transformation. Nicky is a master maturation coach, author of Surrender, and co-leader of the Emanate Mastermind. When she came to me, her brand was successful—multiple seven figures, sold-out programs, a global community—but something wasn’t resonating. She had reached a plateau. […]
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.