A great photo is more than just perfect lighting and good composition. It’s about capturing your subject’s truest essence—that confident, authentic, magnetic self that already exists inside them. My job as a photographer is to bring that forward. Over the years, I’ve built a toolkit of both physical and psychological tools that help guide clients into that space where they feel fully alive and expressed.
Confidence starts before the camera ever clicks. That’s why I treat my Elevated Realism™ photoshoots with the same reverence and preparation I would give to an editorial or advertising shoot.
Together with my client, we identify their story, their vibe, and the visual narrative we want to tell. This means:
Music is my magic wand. It shifts energy instantly. I always bring my own playlist curated to uplift, move, and loosen up even the most hesitant clients.
But more importantly, I ask every client: “What music makes you come alive? What gets you dancing?”
I wear a custom harness I originally designed for Burning Man, equipped with dual UE Boom speakers and pouches for batteries and memory cards. It’s functional, but more than that, it’s part of creating a vibe.
Aside from their wardrobe and props, I encourage my clients to bring:
Energy is everything on set. I want clients who are ready to show up fully, open to play, and curious about what they might discover.
When a client tightens up or starts to get in their head, I have a few tricks:
There is no one-size-fits-all set or vibe. Each location brings its own flavor. Sometimes it’s a minimal, light-flooded loft; sometimes it’s a maximalist paradise full of eclectic pattern and chaos.
What’s consistent is the atmosphere I bring:
When I see a moment that lights up on camera, I vocalize it immediately: “Yes! That’s it! Hold that! More of that!” Clients bloom in response to acknowledgment.
I keep my technical gear minimal. Natural light is my favorite medium, and I aim to find locations where it thrives. I do bring seamless backdrops and a studio strobe if we’re going for a particular look, but I never let gear slow us down. My priority is flow and presence.

Verbal cues are everything. Clients may walk in unsure, but when they start to hear how good they look—in real time—their confidence skyrockets.

Simple but effective: I always bring a second phone to play music. That way, I can use my main phone for video content, notes, or showing clients inspiration without interrupting the vibe.
Confidence is not something I force out of people. It’s something I create the environment for. With music, movement, the right setting, and psychological presence, confidence becomes inevitable.
That’s what I aim to deliver in every Elevated Realism™ shoot.
A great photo is more than just perfect lighting and good composition. It’s about capturing your subject’s truest essence—that confident, authentic, magnetic self that already exists inside them. My job as a photographer is to bring that forward. Over the years, I’ve built a toolkit of both physical and psychological tools that help guide clients into that space where they feel fully alive and expressed.
Confidence starts before the camera ever clicks. That’s why I treat my Elevated Realism™ photoshoots with the same reverence and preparation I would give to an editorial or advertising shoot.
Together with my client, we identify their story, their vibe, and the visual narrative we want to tell. This means:
Music is my magic wand. It shifts energy instantly. I always bring my own playlist curated to uplift, move, and loosen up even the most hesitant clients.
But more importantly, I ask every client: “What music makes you come alive? What gets you dancing?”
I wear a custom harness I originally designed for Burning Man, equipped with dual UE Boom speakers and pouches for batteries and memory cards. It’s functional, but more than that, it’s part of creating a vibe.
Aside from their wardrobe and props, I encourage my clients to bring:
Energy is everything on set. I want clients who are ready to show up fully, open to play, and curious about what they might discover.
When a client tightens up or starts to get in their head, I have a few tricks:
There is no one-size-fits-all set or vibe. Each location brings its own flavor. Sometimes it’s a minimal, light-flooded loft; sometimes it’s a maximalist paradise full of eclectic pattern and chaos.
What’s consistent is the atmosphere I bring:
When I see a moment that lights up on camera, I vocalize it immediately: “Yes! That’s it! Hold that! More of that!” Clients bloom in response to acknowledgment.
I keep my technical gear minimal. Natural light is my favorite medium, and I aim to find locations where it thrives. I do bring seamless backdrops and a studio strobe if we’re going for a particular look, but I never let gear slow us down. My priority is flow and presence.

Verbal cues are everything. Clients may walk in unsure, but when they start to hear how good they look—in real time—their confidence skyrockets.

Simple but effective: I always bring a second phone to play music. That way, I can use my main phone for video content, notes, or showing clients inspiration without interrupting the vibe.
Confidence is not something I force out of people. It’s something I create the environment for. With music, movement, the right setting, and psychological presence, confidence becomes inevitable.
That’s what I aim to deliver in every Elevated Realism™ shoot.







A great photo is more than just perfect lighting and good composition. It’s about capturing your subject’s truest essence—that confident, authentic, magnetic self that already exists inside them. My job as a photographer is to bring that forward. Over the years, I’ve built a toolkit of both physical and psychological tools that help guide clients into that space where they feel fully alive and expressed.
Confidence starts before the camera ever clicks. That’s why I treat my Elevated Realism™ photoshoots with the same reverence and preparation I would give to an editorial or advertising shoot.
Together with my client, we identify their story, their vibe, and the visual narrative we want to tell. This means:
Music is my magic wand. It shifts energy instantly. I always bring my own playlist curated to uplift, move, and loosen up even the most hesitant clients.
But more importantly, I ask every client: “What music makes you come alive? What gets you dancing?”
I wear a custom harness I originally designed for Burning Man, equipped with dual UE Boom speakers and pouches for batteries and memory cards. It’s functional, but more than that, it’s part of creating a vibe.
Aside from their wardrobe and props, I encourage my clients to bring:
Energy is everything on set. I want clients who are ready to show up fully, open to play, and curious about what they might discover.
When a client tightens up or starts to get in their head, I have a few tricks:
There is no one-size-fits-all set or vibe. Each location brings its own flavor. Sometimes it’s a minimal, light-flooded loft; sometimes it’s a maximalist paradise full of eclectic pattern and chaos.
What’s consistent is the atmosphere I bring:
When I see a moment that lights up on camera, I vocalize it immediately: “Yes! That’s it! Hold that! More of that!” Clients bloom in response to acknowledgment.
I keep my technical gear minimal. Natural light is my favorite medium, and I aim to find locations where it thrives. I do bring seamless backdrops and a studio strobe if we’re going for a particular look, but I never let gear slow us down. My priority is flow and presence.

Verbal cues are everything. Clients may walk in unsure, but when they start to hear how good they look—in real time—their confidence skyrockets.

Simple but effective: I always bring a second phone to play music. That way, I can use my main phone for video content, notes, or showing clients inspiration without interrupting the vibe.
Confidence is not something I force out of people. It’s something I create the environment for. With music, movement, the right setting, and psychological presence, confidence becomes inevitable.
That’s what I aim to deliver in every Elevated Realism™ shoot.

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Most First-Time Brand Shoots Miss the Mark — Here’s Why If you’re preparing for your first brand photoshoot, you’re likely focused on the obvious: outfits, lighting, maybe even the perfect smile. But what actually makes a photoshoot land is much deeper — and most people don’t know what to look for. And unfortunately, that’s why most first-time […]

The Problem With Traditional Brand Photograph Most brand photos are surface-level. They might be polished. Perfectly lit. Technically solid. But they lack soul. They don’t make you feel the person. They don’t communicate energy, depth, or identity. They look good — but they don’t resonate. And that’s a problem if you’re a thought leader, coach, speaker, author, or […]

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One of the biggest mistakes entrepreneurs make is building their website, offers, or marketing before they’ve ever clarified their brand identity. They hire web designers before they’ve defined their vibe. They write sales pages without knowing the feeling their brand is meant to transmit. But everything — your website, your photos, your content, your brand world — should stem […]

For most people, a photoshoot is about looking good. For Nicky Clinch, it became a mirror for transformation. Nicky is a master maturation coach, author of Surrender, and co-leader of the Emanate Mastermind. When she came to me, her brand was successful—multiple seven figures, sold-out programs, a global community—but something wasn’t resonating. She had reached a plateau. […]
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.