Where you shoot isn’t just about what looks cool.
It’s about resonance. It’s about embodiment. It’s about visually designing a space that holds your energy.
“Your brand visuals don’t just show who you are — they show the world you live in.”
Location is one of the most important storytelling tools we have. If you shoot in a space that doesn’t feel like you — or where your energy can’t breathe — the images will fall flat.
That’s why I consider location as essential as wardrobe or creative direction.
The first thing I ask clients: What locations represent you?
This is about identity. What places make you feel the most like you?
If I can feel their vibe through the space, we’re in alignment.
My visual style leans heavily into natural light.
So I look for spaces with:
“Natural light = natural expression. It’s easier to move, breathe, and feel like yourself.”
Of course, I still shoot some studio looks with artificial light. But most of my favorite moments come from natural light setups that let us move and play.
Even if a space feels good in person, that doesn’t always translate to photos.
So I look for:
“A location doesn’t have to be minimalist — it has to be intentional.”
Some clients have maximalist homes that are stunning. Others thrive in sparse, curated spaces. Either works — if it’s done well.
Both.
Sometimes we shoot in the client’s current space — like their home or office.
Other times, we rent a space that reflects their future self.
“A location can hold the identity you’re stepping into — before you fully arrive.”
For example, I recently shot a client in a high-end garden estate in Miami that aligned with the upscale energy of their next-level brand. That wouldn’t have made sense if we were only thinking about where they are now.
Identity Alchemy means capturing who they are and who they’re becoming.
“The mistake is choosing a place that feels good to you, but won’t look good on camera.”
I don’t typically do physical scouting in advance, especially since most clients fly me to them — but I’m deeply involved in choosing.

Elevated = curated. Intentional textures, design, composition, and feeling.
Basic = default. Generic, middle-of-America cookie-cutter houses with no story.
“The location doesn’t have to be expensive. It has to feel like something.”
Some of the most magnetic locations I’ve shot in were simply styled well.
On the flip side, cluttered spaces with poor light, tight quarters, or visual noise are hard to work around — and create friction instead of flow.

For Cuiva Harrison, we flew to Ireland. We shot:
That shoot wouldn’t have worked in a city apartment.
“Her story required epic. Her brand required scope. Her identity required space.”
That’s the power of location.
Do you shoot in client homes?
Yes, but only if they send me photos and I approve it first. Many of my clients have beautifully designed spaces. But if it’s cluttered, dark, or doesn’t reflect the brand, we won’t use it.
Do you shoot in multiple locations?
Depends on the package. Bigger shoots include 2–4 locations (like the Creator package). Smaller shoots typically use one strong, flexible space.
What if I don’t have a good space?
I’ll help you find one. I have a deep library of inspiration from past shoots and tools to help us locate aligned rentals.

“Where you shoot shapes how people see you.”
If you want to be perceived as polished, powerful, editorial, grounded, expansive, your location should whisper those truths without you saying a word.
When we align space, light, energy, and identity — that’s Elevated Realism™.
Your space tells a story. Let’s find the one that reflects your next chapter.
Where you shoot isn’t just about what looks cool.
It’s about resonance. It’s about embodiment. It’s about visually designing a space that holds your energy.
“Your brand visuals don’t just show who you are — they show the world you live in.”
Location is one of the most important storytelling tools we have. If you shoot in a space that doesn’t feel like you — or where your energy can’t breathe — the images will fall flat.
That’s why I consider location as essential as wardrobe or creative direction.
The first thing I ask clients: What locations represent you?
This is about identity. What places make you feel the most like you?
If I can feel their vibe through the space, we’re in alignment.
My visual style leans heavily into natural light.
So I look for spaces with:
“Natural light = natural expression. It’s easier to move, breathe, and feel like yourself.”
Of course, I still shoot some studio looks with artificial light. But most of my favorite moments come from natural light setups that let us move and play.
Even if a space feels good in person, that doesn’t always translate to photos.
So I look for:
“A location doesn’t have to be minimalist — it has to be intentional.”
Some clients have maximalist homes that are stunning. Others thrive in sparse, curated spaces. Either works — if it’s done well.
Both.
Sometimes we shoot in the client’s current space — like their home or office.
Other times, we rent a space that reflects their future self.
“A location can hold the identity you’re stepping into — before you fully arrive.”
For example, I recently shot a client in a high-end garden estate in Miami that aligned with the upscale energy of their next-level brand. That wouldn’t have made sense if we were only thinking about where they are now.
Identity Alchemy means capturing who they are and who they’re becoming.
“The mistake is choosing a place that feels good to you, but won’t look good on camera.”
I don’t typically do physical scouting in advance, especially since most clients fly me to them — but I’m deeply involved in choosing.

Elevated = curated. Intentional textures, design, composition, and feeling.
Basic = default. Generic, middle-of-America cookie-cutter houses with no story.
“The location doesn’t have to be expensive. It has to feel like something.”
Some of the most magnetic locations I’ve shot in were simply styled well.
On the flip side, cluttered spaces with poor light, tight quarters, or visual noise are hard to work around — and create friction instead of flow.

For Cuiva Harrison, we flew to Ireland. We shot:
That shoot wouldn’t have worked in a city apartment.
“Her story required epic. Her brand required scope. Her identity required space.”
That’s the power of location.
Do you shoot in client homes?
Yes, but only if they send me photos and I approve it first. Many of my clients have beautifully designed spaces. But if it’s cluttered, dark, or doesn’t reflect the brand, we won’t use it.
Do you shoot in multiple locations?
Depends on the package. Bigger shoots include 2–4 locations (like the Creator package). Smaller shoots typically use one strong, flexible space.
What if I don’t have a good space?
I’ll help you find one. I have a deep library of inspiration from past shoots and tools to help us locate aligned rentals.

“Where you shoot shapes how people see you.”
If you want to be perceived as polished, powerful, editorial, grounded, expansive, your location should whisper those truths without you saying a word.
When we align space, light, energy, and identity — that’s Elevated Realism™.
Your space tells a story. Let’s find the one that reflects your next chapter.







Where you shoot isn’t just about what looks cool.
It’s about resonance. It’s about embodiment. It’s about visually designing a space that holds your energy.
“Your brand visuals don’t just show who you are — they show the world you live in.”
Location is one of the most important storytelling tools we have. If you shoot in a space that doesn’t feel like you — or where your energy can’t breathe — the images will fall flat.
That’s why I consider location as essential as wardrobe or creative direction.
The first thing I ask clients: What locations represent you?
This is about identity. What places make you feel the most like you?
If I can feel their vibe through the space, we’re in alignment.
My visual style leans heavily into natural light.
So I look for spaces with:
“Natural light = natural expression. It’s easier to move, breathe, and feel like yourself.”
Of course, I still shoot some studio looks with artificial light. But most of my favorite moments come from natural light setups that let us move and play.
Even if a space feels good in person, that doesn’t always translate to photos.
So I look for:
“A location doesn’t have to be minimalist — it has to be intentional.”
Some clients have maximalist homes that are stunning. Others thrive in sparse, curated spaces. Either works — if it’s done well.
Both.
Sometimes we shoot in the client’s current space — like their home or office.
Other times, we rent a space that reflects their future self.
“A location can hold the identity you’re stepping into — before you fully arrive.”
For example, I recently shot a client in a high-end garden estate in Miami that aligned with the upscale energy of their next-level brand. That wouldn’t have made sense if we were only thinking about where they are now.
Identity Alchemy means capturing who they are and who they’re becoming.
“The mistake is choosing a place that feels good to you, but won’t look good on camera.”
I don’t typically do physical scouting in advance, especially since most clients fly me to them — but I’m deeply involved in choosing.

Elevated = curated. Intentional textures, design, composition, and feeling.
Basic = default. Generic, middle-of-America cookie-cutter houses with no story.
“The location doesn’t have to be expensive. It has to feel like something.”
Some of the most magnetic locations I’ve shot in were simply styled well.
On the flip side, cluttered spaces with poor light, tight quarters, or visual noise are hard to work around — and create friction instead of flow.

For Cuiva Harrison, we flew to Ireland. We shot:
That shoot wouldn’t have worked in a city apartment.
“Her story required epic. Her brand required scope. Her identity required space.”
That’s the power of location.
Do you shoot in client homes?
Yes, but only if they send me photos and I approve it first. Many of my clients have beautifully designed spaces. But if it’s cluttered, dark, or doesn’t reflect the brand, we won’t use it.
Do you shoot in multiple locations?
Depends on the package. Bigger shoots include 2–4 locations (like the Creator package). Smaller shoots typically use one strong, flexible space.
What if I don’t have a good space?
I’ll help you find one. I have a deep library of inspiration from past shoots and tools to help us locate aligned rentals.

“Where you shoot shapes how people see you.”
If you want to be perceived as polished, powerful, editorial, grounded, expansive, your location should whisper those truths without you saying a word.
When we align space, light, energy, and identity — that’s Elevated Realism™.
Your space tells a story. Let’s find the one that reflects your next chapter.

At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia.

TL;DR – What You’ll Learn in This Post You Are the Brand If you’re still hiding behind your offer… If you’re still using a cropped wedding photo for your headshot… If you’re still telling yourself you need to “figure it all out first”… Let this be your permission slip: You are the face of your […]

TLDR | What You’ll Learn in This Post This Wasn’t Just a Tattoo I’ve wanted a tattoo from Balazs for years. Not because he’s popular, but because I knew this guy was channeling something real. When the time finally aligned, I didn’t just walk into a session. I stepped into a portal. The Intention: A […]

If you’re an entrepreneur, your personal brand isn’t just a logo — it’s your face, your energy, and the story you’re telling in every scroll. So when it comes to choosing a personal brand photographer, you don’t need someone who just “takes nice pictures.” You need someone who knows how to translate your identity into […]

TL;DR – What You’ll Learn in This Post Your Location Isn’t Background — It’s Identity Where you shoot isn’t just about what looks cool. It’s about resonance. It’s about embodiment. It’s about visually designing a space that holds your energy. “Your brand visuals don’t just show who you are — they show the world you […]

A personal brand is not your logo. It’s not your colors. It’s not just your website. Your personal brand is the perception people have of you when you’re not in the room — shaped by your presence, your visuals, your voice, and how consistently you embody your values. It’s who you are and who you’re […]

TL;DR – What You’ll Learn in This Post Your Brand Isn’t a Feed — It’s a Frequency We’ve all seen it: the influencer with polished photos but no soul. The brand that feels like a mask. That’s not personal branding — that’s performance. A real personal brand? It’s how you live. It’s what you do […]

A Brand Isn’t Just a Logo — It’s a Mirror Your personal brand isn’t a website, a color palette, or a polished grid. It’s an evolving expression of who you are — and who you’re becoming. More than that, it’s a container. A space that calls you to rise. To embody your message. To stay […]

Let’s put it this way: If you want stiff headshots in a gray suit against a beige wall — probably not. If you want a photoshoot that feels like an editorial spread, emotional breakthrough, and creative awakening all in one — then yes. Nick Onken is very good at what he does. What Makes Nick […]

Most First-Time Brand Shoots Miss the Mark — Here’s Why If you’re preparing for your first brand photoshoot, you’re likely focused on the obvious: outfits, lighting, maybe even the perfect smile. But what actually makes a photoshoot land is much deeper — and most people don’t know what to look for. And unfortunately, that’s why most first-time […]

The Problem With Traditional Brand Photograph Most brand photos are surface-level. They might be polished. Perfectly lit. Technically solid. But they lack soul. They don’t make you feel the person. They don’t communicate energy, depth, or identity. They look good — but they don’t resonate. And that’s a problem if you’re a thought leader, coach, speaker, author, or […]

If you’re searching for the best personal brand photographer in New York, one name rises to the top: Nick Onken. Blending editorial sophistication with emotional storytelling, Nick’s work goes far beyond headshots. His Elevated Realism™ approach captures your highest self — magnetic, polished, and unmistakably you. 📍 A Photographer Who Knows NYC Intimately Nick spent 15 […]

One of the biggest mistakes entrepreneurs make is building their website, offers, or marketing before they’ve ever clarified their brand identity. They hire web designers before they’ve defined their vibe. They write sales pages without knowing the feeling their brand is meant to transmit. But everything — your website, your photos, your content, your brand world — should stem […]

For most people, a photoshoot is about looking good. For Nicky Clinch, it became a mirror for transformation. Nicky is a master maturation coach, author of Surrender, and co-leader of the Emanate Mastermind. When she came to me, her brand was successful—multiple seven figures, sold-out programs, a global community—but something wasn’t resonating. She had reached a plateau. […]
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.
I was born in a low middle class conservative religious family in the suburbs of Seattle. Art was and always has been my passion, and more than that a way of life. Starting as a graphic designer, I taught myself photography, built a commercial/editorial business shooting for the worlds biggest brands like Nike, Coca-Cola, Adidas and more. I've also had the opportunity to photograph the world's biggest celebrities like Justin Bieber, Usher, Jessica Alba and more. I've curated a lifestyle around creativity and have learned a lot along the way which I get to share here.